[email protected]
www.theassemblyrooms.tv
+ 44 (0)20 7437 1052
58 Frith Street
London
W1D 3JQ
About
The Assembly Rooms was established in 2004 by Nik Hindson and Sam Rice-Edwards, with Eve Ashwell joining as partner in 2015. We have grown into one of London’s leading film editing companies with a roster of sixteen award winning editors. We cut commercials, promos, short films, features and documentaries.
Our town house in the heart of London’s Soho is a creative haven for directors, producers and agencies alike. Despite our expansion to seven suites, we have retained our boutique feel and continue to offer our clients the talent, experience and attention to detail we feel necessary to create the best work.
A principle of sustainability runs through the company, starting with how we train and promote from within and continuing to how we source our water and electricity. (There are even plans to keep bees on the roof and produce Assembly Rooms honey.)
We have representation across the USA, but are also happy to offer our editors on set or in suites anywhere in the world.
LBB Newsfeed
Will Ferrell as Buddy the Elf Stars in Asda’s Christmas Ad
Asda and Warner Bros. Discovery Global Consumer Products partner with Havas London and director Danny Kleinman to bring Buddy the Elf back to screens for the UK supermarket’s Christmas advert
Yorkshire Tea's Tiny Kettle Champions Better Brewing Habits for the Planet
Pulse Films' Arthur Studholme directs the spot from Lucky Generals
ŠKODA's KAMIQ SUV Proves It's a 'Driver’s Best Friend' at a Dog Show in Spot from Fallon
Icelandic directing duo Samuel & Gunnar shoot playful commercial through Tantrum
Cadbury Fingers Brings People Together to Learn to ‘Sign with Fingers Big and Small’
Cadbury Fingers partners with the National Deaf Children’s Society for the campaign from VCCP
Dairylea Celebrates the Curiosity of Kids in Charming Campaign
Campaign from VCCP focuses on the small, playful moments of wonder when kids have time to themselves
Finely Sliced: How Editing Taught Andrew Cross Self Acceptance
The Assembly Rooms editor explains what putting the audience at the centre of the story means to him and how jumping in a pond is sometimes the key to breaking creative walls down