[email protected]
www.factory.uk.com
+44 (0)20 7580 5811
Factory Studios
54/55 Margaret Street
London
W1W 8SH
About
Established in 1997, we are a multi award-winning sound design and audio facility based in London. Our highly skilled team specialises in the art of sound design and has created some of the most revered and awarded commercial work of recent years. With six Pro Tools HD studios and the UK’s first Dolby Atmos licensed suite for Commercials & Trailers, we offer a comprehensive audio production and sound design service in a creative and friendly environment.
Showreel
Awards
2020 CREATIVE CIRCLE BEST SOUND DESIGN SILVER Medecins Du Monde “We Don’t Care”
2020 CREATIVE CIRCLE BEST SOUND DESIGN SILVER Leonard Cheshire “Journey To Independence”
2020 CREATIVE CIRCLE BEST SOUND DESIGN BRONZE Barnardo’s “Believe In Me”
APA X SHOTS TOP 20 OF 2020 Volkswagen “See The Unseen”
APA X SHOTS TOP 20 OF 2020 Starbucks “What’s Your Name”
APA X SHOTS TOP 20 OF 2020 Department For Education “Tuesday”
APA X SHOTS TOP 20 OF 2020 Lurpak “Where There Are Cooks, There Is Hope”
APA X SHOTS 20 OF 2020 Medecins Du Monde “We Don’t Care”
2020 KINSALE BEST MUSIC AND SOUND CRAFT SILVER Medecins Du Monde “We Don’t Care”
2020 KINSALE BEST MUSIC AND SOUND CRAFT BRONZE Volkswagen “See The Unseen”
2020 CICLOPE AWARDS SOUND DESIGN GOLD Medecins Du Monde “We Don’t Care”
2019 CREATIVE CIRCLE BEST SOUND DESIGN GOLD John Lewis & Partners “The Boy and The Piano”
2019 CREATIVE CIRCLE BEST USE OF MUSIC SILVER John Lewis & Partners “The Boy and The Piano”
2019 CANNES LION USE OF LICENSED MUSIC BRONZE John Lewis & Partners “The Boy and The Piano”
2019 BRITISH ARROWS BEST SOUND DESIGN GOLD Red Cross “Hope”
2019 CREATIVE CIRCLE BEST SOUND DESIGN GOLD John Lewis & Partners “Bohemian Rhapsody”
2018 CREATIVE CIRCLE BEST SOUND DESIGN GOLD Oxfam ‘The Heist No One Is Talking About’
2018 CREATIVE CIRCLE BEST SOUND DESIGN BRONZE Winter Olympics ‘The Fearless Are Here’
2018 BRITISH ARROWS BEST SOUND DESIGN GOLD Oxfam ‘The Heist No One Is Talking About’
2018 BRITISH ARROWS BEST SOUND DESIGN SILVER FIFA ‘More Than A Game/El Tornado’
2018 MUSIC AND SOUND AWARDS (MAS) BEST SOUND DESIGN RADIO Winter Olympics ‘Plummeting’
2018 MUSIC AND SOUND AWARDS (MAS) SOUND DESIGN IN A SHORT FILM ‘Land Of Steel’
2018 KNSALE BEST AUDIO MIX John Lewis ‘Bohemian Rhapsody’
2018 KNSALE BEST AUDIO MIX Audi ‘Escape’
2018 KNSALE BEST NEW SOUND DESIGNER Mark Hills
2017 D&AD AWARDS SOUND DESIGN WOOD PENCIL Under Armour ‘Numbers’
2017 ADC AWARDS BEST SOUND DESIGN GOLD Save The Children ‘Still The Most Shocking Second A Day’
2017 THE ONE SHOW BEST SOUND DESIGN SILVER Save The Children ‘Still The Most Shocking Second A Day’
2017 CREATIVE CIRCLE BEST SOUND DESIGN BRONZE Under Armour ‘Numbers’
2017 CREATIVE CIRCLE BEST SOUND DESIGN BRONZE Virgin Media 9.58 Seconds
2017 CREATIVE CIRCLE BEST SOUND DESIGN BRONZE Glenfiddich ‘The Experimental Series’
2017 NY AD FESTIVAL BEST SOUND DESIGN GOLD Save The Children ‘Still The Most Shocking Second A Day’
2017 BRITISH ARROWS BEST SOUND DESIGN GOLD Temptations ‘Keep Them Busy’
2017 THE A LIST AWARDS BEST SOUND DESIGN BRONZE ‘We’re The Superhumans’
2017 CANNES LIONS BEST SOUND DESIGN SILVER Save The Children ‘Still The Most Shocking Second A Day’
2017 MUSIC AND SOUND AWARDS (MAS) BEST SOUND DESIGN IN A SHORT FILM ‘Home’
2017 CLIO AWARDS BEST SOUND DESIGN BRONZE We’re The Superhumans
2017 KINSALE BEST SOUND DESIGN IN A SHORT FILM GOLD Pink/Blue
2017 KINSALE BEST SOUND DESIGN TV BRONZE Honda ‘Up’
2017 CRESTA BEST SOUND DESIGN GOLD Save The Children ‘Still The Most Shocking Second A Day’
2017 CRESTA GRAND PRIX SOUND DESIGN We’re The Superhumans’
2017 LIA BEST SOUND EDITING BRONZE Bwin ‘The Race’
2017 LIA BEST SOUND EDITING BRONZE UEFA ‘Play Strong’
2017 LIA MUSIC AND SOUND COMPANY OF THE YEAR FACTORY STUDIOS
2017 AOC AWARDS BEST SOUND DESIGN GOLD We’re The Superhumans
2016 MUSIC AND SOUND AWARDS (MAS) BEST SOUND DESIGN IN RADIO ADVERTISING Born Free ‘Cookery Show’
2016 CREATIVE CIRCLE BEST SOUND DESIGN IN A COMMERCIAL GOLD Honda ‘Paper’
2016 CREATIVE CIRCLE BEST SOUND DESIGN IN A COMMERCIAL GOLD Honda ‘Ignition’
2016 CREATIVE CIRCLE BEST SOUND DESIGN IN A COMMERCIAL GOLD Sainsbury’s ‘Mog’s Christmas Calamity’
2016 ONE SHOW BEST USE OF SOUND DESIGN MERIT Honda ‘Paper’
2016 NEW YORK FILM FESTIVAL BEST SOUND DESIGN SILVER Honda ‘Paper’
2016 NEW YORK FILM FESTIVAL BEST SOUND DESIGN SILVER Honda ‘Ignition’
2016 D&AD AWARDS BEST SOUND DESIGN WOOD PENCIL Honda ‘Paper’
2016 CANNES LIONS BEST USE OF SOUND DESIGN IN FILM CRAFT BRONZE Honda ‘Paper’
2016 CLIO AWARDS SOUND DESIGN GOLD Honda ‘Paper’
2016 CLIO AWARDS SOUND DESIGN SILVER Honda ‘Ignition’
2016 CLIO AWARDS SOUND DESIGN BRONZE Save The Children ‘Still The Most Shocking Second A Day’
2016 LIA SOUND DESIGN GOLD Honda ‘Ignition’
2016 LIA SOUND DESIGN SILVER Honda ‘Paper’
2016 LIA SOUND DESIGN BRONZE Save The Children ‘Still The Most Shocking Second A Day’
2016 LIA MUSIC AND SOUND COMPANY OF THE YEAR FACTORY STUDIOS
2016 KINSALE BEST USE OF SOUND DESIGN GOLD Sainsbury’s ‘Mog’s Christmas Calamity’
2016 EPICA AWARDS BEST USE OF MUSIC AND SOUND SILVER Honda ‘Paper’
2016 EPICA AWARDS BEST USE OF MUSIC AND SOUND SILVER Paralympics ‘We’re The Superhumans’
2016 SHOTS BEST USE OF SOUND DESIGN GOLD Paralympics ‘We’re The Superhumans’
2016 HPA OUTSTANDING USE OF SOUND IN A COMMERCIAL Sainsbury’s ‘Mog’s Christmas Calamity’
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LBB Newsfeed
Factory Studios Celebrates Two Webby Award Wins
Factory worked on the AR experience called ‘DracARys’
The Psychology of Sound with Dan Beckwith
From sound design history, to how product and sound fight or work together on the battleground of creativity, Factory Studios’ creative director speaks to LBB’s Zoe Antonov about how sound affects audiences
Uprising: Josh Campbell on Why Sound Shouldn’t Be Invisible
The sound designer at Factory speaks to LBB’s Zoe Antonov about his constant graft, why more people should know the ins and outs of sound design and how his current position changed his career
Marmite Answers Expectant Parents Burning Baby 'Love It or Hate It' Question
Documentary style spot from adam&eveDDB and director James Rouse sees parents during 4D ultrasound scans see babies responding to different flavours in the womb
Direct Line Turns a Van into an Office to Spotlight Tool Theft
'This is not a van' from Saatchi & Saatchi highlights catastrophic impact tool theft has on tradespeople across the UK
Easter’s around the Corner but It Continues to Look a Lot Like Christmas
The Waitrose & Partners spot was directed by Henry Alex-Rubin (from Smuggler) and edited by Scot Crane (The Quarry)